I like this website but the title should be changed
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Thursday, 8 November 2012
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a11ypi : Accessibility for the Print-impaired
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Monday, 27 August 2012
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a11ypi : Accessibility for the Print-impaired
foeihfaioafoi
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boooooobooooo
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feffz
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coucou
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sooo is it ok now ?
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a11ypi : Accessibility for the Print-impaired
blaa blaaa
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a11ypi : Accessibility for the Print-impaired
Here is a second comment
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a11ypi : Accessibility for the Print-impaired
this is a comment
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a11ypi : Accessibility for the Print-impaired
fafaz
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a11ypi : Accessibility for the Print-impaired
A Web framework for contributing alternative narratives to Web content and to compose renditions based on the user's literacy level or reading-comfort preferences.
Re-narration by jkn in jk targeting jk for this web page
Friday, 3 August 2012
a11ypi : Accessibility for the Print-impaired
coment
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a11ypi : Accessibility for the Print-impaired
A Web framework for contributing alternative narratives to Web content and to compose renditions based on the user's literacy level or reading-comfort preferences.
Re-narration by e in e targeting e for this web page
a11ypi : Accessibility for the Print-impaired
RE-NARRATION WEB
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Tuesday, 17 July 2012
a11ypi : Accessibility for the Print-impaired
Re-narration du web
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a11ypi : Accessibility for the Print-impaired
tahaaasjasap
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a11ypi : Accessibility for the Print-impaired
RE-NARRATION
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a11ypi : Accessibility for the Print-impaired
RE-NARRATION WEBfzfz
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a11ypi : Accessibility for the Print-impaired
A Web framework for contributing alternative narratives to Web content and to compose renditions based on the user's literacy level or reading-comfort
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a11ypi : Accessibility for the Print-impaired
fzefe
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Monday, 16 July 2012
a11ypi : Accessibility for the Print-impaired
feEZFZ
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Sunday, 15 July 2012
Tuesday, 10 July 2012
Friday, 6 July 2012
Re-narrating Web content - 13es RMLL du 7 au 12 juillet 2012
Rés
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Re-narrating Web content - 13es RMLL du 7 au 12 juillet 2012
Résu
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Re-narrating Web content - 13es RMLL du 7 au 12 juillet 2012
Speaker(s) : T B Dinesh
Event Type: Workshop
Date : Tuesday 10 july 2012
Hours :
Duration :
Re-narration by Shalini in English targeting Bangalore, India for this web page
Monday, 2 July 2012
..::Bilfrost::.. ~presentation~
welcome nooobzzzs
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Wednesday, 27 June 2012
Tuesday, 19 June 2012
Monday, 18 June 2012
Thursday, 14 June 2012
L'actualité de la Freebox
Update of Freebox Player 1.1.7.1
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fesdsd.jpg picture by creameggs - Photobucket
Secundo !
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Tags!!!
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BEFORE
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Uploadddd
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carot
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Tuesday, 5 June 2012
Minimum wages
A “minimum statutory wage” is that which the statute prescribes
and it may be higher than the bare subsistence wage providing for
some measure of education, medical requirements and amenities.
The SC has held that statutory wage under the Act aims to ensure
not only subsistence for the employee and his family but also
preserve his efficiency as a worker.
Re-narration by arvind in arabic targeting india for this web page
Minimum wages
A “minimum statutory wage” is that which the statute prescribes
and it may be higher than the bare subsistence wage providing for
some measure of education, medical requirements and amenities.
The SC has held that statutory wage under the Act aims to ensure
not only subsistence for the employee and his family but also
preserve his efficiency as a worker.
Re-narration by arvind in arabic targeting india for this web page
Wednesday, 16 May 2012
a11ypi : Accessibility for the Print-impaired
Spam assasin
I hate spam, but this is SPAM
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a11ypi : Accessibility for the Print-impaired
Spam assasin
I hate spam, but this is SPAM
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The International Institute for Art, Culture and Democracy (IIACD) HOME
In summarys (intra and inter cultural), and programs that directly contribute to the empowerment and entitlement of the bearers of art and culture.
Duck duck go.
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a11ypi : Accessibility for the Print-impaired
Test
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Minimum wages
A “minimum statutory wage”
The Act’s main object is to prevent sweated labour.
Re-narration by Shalini in English targeting Chennai, India for this web page
Minimum wages
A “minimum statutory wage”
The Act’s main object is to prevent sweated labour.
Re-narration by Shalini in English targeting Chennai, India for this web page
Tuesday, 15 May 2012
India - Facts on Trafficking and Prostitution
Re-narration by Amrapali in Hindi targeting Indian Ground, Barbados for this web page
India - Facts on Trafficking and Prostitution
तस्कर (ट्राफ़िकर) की रीत और तंत्र :
हर वर्ष 5000 और 7,000 के बीच नेपाली लड़कियों भारतीय शहरों में लाल बत्ती जिलों में अवैध व्यापार के लिये लाई जा रही हैं. कई लड़कियों की उम्र मुश्किल से ९ या १० साल हैं. 200.000 या 250,000 से अधिक नेपाली महिलाओं और लड़कियों पहले से ही भारतीय वेश्यालयों में हैं. गरीब माता पिता के द्वारा लड़कियों को बेचा जाता है,जिन्हे विवाह या शहरों में रोजगार का वादा करके धोखे से हिंदुस्तान के वेश्यालयों में लाया जाता हैं, जब तक वे जानें कि कैसे एक दिन में 25 ग्राहकों को सेवा देना हैं, इन्हे कई दिन के लिए बंद करके, भूखा रखके, पीटकर, और सिगरेट से जलाकर अत्याचार किया जाता है, . कुछ लड़कियों को वेश्यावृत्ति शुरु करने से पहले तालिम दी जाती है, जिसमे 'लगातार अश्लील फिल्मों बताना, ग्राहकों को कैसे मनोरंजन करना, बलात्कार दोहराना जैसे ट्यूटोरियल शामिल हैं.(सोमा वाधवा, "बचपन बिक्री के लिए," आउटलुक, 1998)
महिलाओं और लड़कियों की तस्करी भारत और नेपाल के बीच 1740 मील लंबी खुली सीमा के साथ आसान है. नेपाली महिलाओं और लड़कियों की तस्करी, भारत में इलेक्ट्रॉनिक उपकरणों और नशीले पदार्थों की तस्करी की तुलना में कम जोखिम भरा है. ट्रैफ़िकर कागजी कार्रवाई या पुलिस की जाँच के खतरों की परेशानी के बिना एक समय में लड़कियों के बड़े समूहों नौका द्वारा लाता है.कूतना दलाल पुलिस नेटवर्क प्रक्रिया को सहज बना देता है. (नेपाली) 1,000 रु के लिए खरीदी गई लड़कियों, बाद में लेन - देन में 30,000 रुपये लाने मे ज्ञात कि जाती है. स्थिति की अनदेखी करने के लिये वेश्यालय मालिकों द्वारा पुलिस को भुगतान कीया जाता हैं. लड़कियां वेश्यालयों छोड़ नहीं पाती, जब तक वे अपना कर्ज चुका ना दे. जो समय वे बीमार हो जाती हैं, एचआईवी और / या तपेदिक के भोग बनती है, और अक्सर अपने स्वयं के बच्चों भी होते है.. (सोमा वाधवा, "बिक्री के बचपन के लिए," आउटलुक, 1998)
महिलाओं और लड़कियों की खरीद के लिए, तस्कर द्वारा प्रयोग किया गया क्षेत्रों सिन्धलपुर्, मकवन्पुर, धडिन्ग्, खावरे और नेपाल,के अलग जिलों,है जहां आबादी काफी हद तक अनपढ़ है. (सोमा वाधवा, "बिक्री के लिए बचपन ," आउटलुक, 1998)
Re-narration by Amrapali in Hindi targeting Indian Ground, Barbados for this web page
Monday, 14 May 2012
Trigonometric Identities
Given Triangle abc, with angles A,B,C; a is opposite to A, b opposite
B, c opposite C: Define cosB?
Re-narration by Shalini in English targeting Chennai, India for this web page
Trigonometric Identities
Given Triangle abc, with angles A,B,C; a is opposite to A, b opposite
B, c opposite C: Define tanA?
Re-narration by Shalini in English targeting Chennai, India for this web page
Thursday, 10 May 2012
The International Institute for Art, Culture and Democracy (IIACD) HOME
The International Institute for Art, Culture and Democracy (IIACD).
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by Arvind in English targeting Bangalore Town, Pakistan for this web page
Thursday, 3 May 2012
The International Institute for Art, Culture and Democracy (IIACD) HOME
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Goobe
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The International Institute for Art, Culture and Democracy (IIACD) HOME
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The International Institute for Art, Culture and Democracy (IIACD) HOME
Re-narration by Ajay in English targeting Bangalore, India for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
Re-narration by Ajay in English targeting Bangalore, India for this web page
Monday, 16 April 2012
The International Institute for Art, Culture and Democracy (IIACD) HOME
Re-narration by test in test1 targeting test1 for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
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Saturday, 14 April 2012
W4A 2012
वर्ल्ड वाइड वेब ने जिस तरीके से हम जानकारी की खोज, उपयोग, उपभोग और उत्पादन करते है, वह तरीका बदल दिया है. जबकि मौजूदा सतही विषय वस्तु वेब हमें ब्राउज़ करके माहिती के साथ प्रतिक्रिया करने की अनुमति देता है, हम इसका पूरा लाभ नही उठा पा रहे हैं. वेब की सतह के नीचे कुछ घटनाए जैसे कि जानकारी संरचना और उपयोगकर्ता का व्यवहार में प्रवृत्तियों और पैटर्न, जिस तरह से हम संवाद उपभोग, और ब्राउज़ करते है उसे एक आकार देता है. जहाँ तक उपलब्धता का संबंध है, वेब सामग्री एक पारिस्थितिकी तंत्र में एक केंद्रीय भूमिका निभाता है जहाँ उपयोगकर्ता एजेंट, संलेखन उपकरण, क्राउड सोर्सिंग, फ़्रेमवर्क और परीक्षण उपकरण निर्धारण करते है कि वेब कैसे सुलभ है. इन घटकों क्लाउड की तरफ आगे बढ़ रहे हैं, उनकी गतिविधि और परस्पर क्रिया मात्र बड़ी मात्रा में डेटा पैदा करता है. उदाहरण के लिए, स्वचालित उपकरणों और लेखा परीक्षकों द्वारा हजारों परीक्षण रिपोर्ट हर दिन उत्पन्न किया जा रहा हैं. इसके अलावा, क्राउड सोर्सिंग उपकरण असंख्य उपलब्धता सुधारों की सुविधा से उपयोगकर्ताओं को मार्गदर्शन देता है.
Re-narration by Arvind in Hindi targeting Lyons, Australia for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
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The International Institute for Art, Culture and Democracy (IIACD) HOME
Re-narration by Aay in Dutch targeting Llumeneres, Andorra for this web page
Friday, 13 April 2012
W4A 2012
The World Wide Web has changed the way we search, access, consume and produce information. While existing superficial content allows us to browse and interact with the Web, we are far from taking full advantage of it. Laying beneath the surface of the Web there are a number of phenomena such as trends and patterns in information structure and in user behaviour that do shape the way we communicate, consume and browse. As far as accessibility is concerned, Web content plays a central role in an ecosystem where user agents, authoring tools, crowd-sourcing frameworks and testing tools determine how accessible is the
Re-narration by Ar in Nepali targeting Ordino,Andorra for this web page
W4A 2012
The World Wide Web has changed the way we search, access, consume and produce information. While existing superficial content allows us to browse and interact with the Web, we are far from taking full advantage of it. Laying beneath the surface of the Web there are a number of phenomena such as trends and patterns in information structure and in user behaviour that do shape the way we communicate, consume and browse. As far as accessibility is concerned, Web content plays a central role in an ecosystem where user agents, authoring tools, crowd-sourcing frameworks and testing tools determine how accessible is the Web. As these components are moving to the cloud, their mere activity and interplay produces large amounts of data. For instance, thousands of testing reports are being generated every day by automatic tools and auditors. Moreover, crowd-sourcing tools are facilitating a myriad of accessibility fixes and providing guidance to users
Re-narration by Arv in Nepali targeting Deh Rabat,Afghanistan for this web page
Media Governance and Industries Research Group » Home
House Full 2
Yen Samachara??
Gang
Tinkaadodu
Udarsodu
Torsodu
ECREA 2012 Bejaan Kuiyodu
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Jhuggi Jhopdi: Govt shd make new houses at same place - CGNet Swara
झुग्गि झोंपडि : सरकार को गरीबों की झोंपडी के स्थान पर ही पक्के मकान बनाके देने चाहिये|
भागिरथ वर्मा बता रहे है कि छत्तिसगढ मज़दूर संघके प्रतिनिधि कह रहे है कि राज्यमें कहीं जगह झुग्गि झोपडियां जो २५ ससे ४० साल पुराना है उसे बिना किसि और व्यवस्था किये १० जून को तोड दीया गया था और आज तक रहने के लिये कोई दुसरा प्रबंध नही किया गया| एक तरफ़ सरकार गरीबों को पक्का मकान का वायदा करती है और दुसरी तरफ़ उऩ्हें खुले आसमान के नीचे रहने के लिये मजबूर करती है ये मौलिक अधिकार का खंडन है| सरकार शहर को सुंदर बनाने के बहाने बस्ती की झोंपडियां उजाडकर उऩ्हें बहुत दूर मकान दे रही है जो सही नही है| गरीबों को वही मकान देना चाहिये जहां उनकी बस्ती है क्योंकि उससे उनकी रोज़ीरोटी पर असर पडता है| अगर कोइ मूलभूत जरुरियात की व्य्वस्था के बिना अगर सरकार बस्ती तोडने की योजना बनाती है तो मज़दूर संघ उसका कडा विरोध करता है| ज़्यादा जानकारी के लिये वर्माजी का संपर्क ०९०३९१४२०४९ फ़ोन नंबर पर कर सकते है| अगस्त ०८/२०११
Re-narration by Amrapali in Hindi targeting Madhya pradesh for this web page
Media Governance and Industries Research Group » Home
The Media Governance and Industries Research Team, established by Professor Sarikakis in 2011, brings together international scholars from different cognate disciplines, whose intellectual and sociocultural interests gravitate to the systematic study of the policies and politics of media, culture and communication .
Re-narration by Arvind in French targeting Lyons,Australia for this web page
Thursday, 12 April 2012
FINAL AU FLYER
"Deep engagement with CSOs will be necessary in pastoral policy development, as these organisations can provide necessary cheques and balances on government decision-making..."
Re-narration by Ajay in English targeting Bangalore,India for this web page
MediaController appears only after tapping in Android - Stack Overflow
I am writing an Android App where I am playing audio,but the mediaController appears only after tapping the screen.Is this correct procedure ? If not how can we make it to appear without tapping on the screen.
http://developer.android.com/reference/android/widget/MediaController.html#hide
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a11ypi : Accessibility for the Print-impaired
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Wednesday, 11 April 2012
FINAL AU FLYER
Flyer on African Union Policy Framework on Pastoralism.
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Flow | More Email Tips
Few more Email Tips
due:"in three days"
Re-narration by testd in English targeting salem,india for this web page
FINAL AU FLYER
"Deep engagement with CSOs will be necessary in pastoral policy development, as these organisations can provide necessary cheques and balances on government decision-making..."
Re-narration by Ajay in English targeting Bangalore,India for this web page
div expansion
Servelots's current project is on Alipi a web based project targeting print-impaired people around the world.
Description:alipi as a w
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div expansion
Servelots's current project is on Alipi a web based project targeting print-impaired people around the world.
Alipi as a word means without-alphabet or text/print-impaired.
Re-narration by Ajay in Urdu targeting Bangalore,India for this web page
div expansion
Servelots's current project is on Alipi a web based project targeting print-impaired people around the world.
Alipi as a word means without-alphabet or text/print-impaired.
Re-narration by Ajay in targeting for this web page
div expansion
Servelots's current project is on Alipi a web based project targeting print-impaired people around the world.
Alipi as a word means without-alphabet or text/print-impaired.
Re-narration by Ajay in targeting for this web page
FINAL AU FLYER
"Deep engagement w
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Sunday, 8 April 2012
KARNATAKA PUBLIC SERVICE COMMISSION
Re-narration by Satish in English targeting Bangalore for this web page
Saturday, 7 April 2012
Misconceptions about Pastoralism - WISP, an IUCN/UNDP Project .
Re-narration by pradeep in Kannada targeting Bangalore for this web page
Misconceptions about Pastoralism - WISP, an IUCN/UNDP Project .
ಅಲೆಮಾರಿ ಕುರುಬರ ಸಮಯ ಜಾರಿಗೆ ಉತ್ಪಾದನಾ ಒಂದು ಹಳೆಯ ಕಾಲದ ರೂಪ .
Re-narration by ಪ್ರದೀಪ in Kannada targeting Bangalore for this web page
Misconceptions about Pastoralism - WISP, an IUCN/UNDP Project .
ಕುರುಬರ ಸುತ್ತಮುತ್ತಲಿನ ತಪ್ಪುತಿಳುವಳಿಕೆಗಳು
ಅಲೆಮಾರಿ ಕುರುಬರ ಸಮಯ ಜಾರಿಗೆ ಉತ್ಪಾದನಾದ ಒಂದು ಪುರಾತನ ರೂಪ.
ಚಲನಶೀಲತೆ ಸ್ವಾಭಾವಿಕವಾಗಿ, ಹಿಂದುಳಿದ ಅನಾವಶ್ಯಕ, ಅಸ್ತವ್ಯಸ್ತವಾಗಿದೆ ಹಾಗೂ ವಿಚ್ಛಿದ್ರಕಾರಕ ಆಗಿದೆ.
ಅತ್ಯಂತ ಹುಲ್ಲುಹೊಲವಿರುವ ಭೂಮಿಯನ್ನು ಅತಿಯಾಗಿ ಮೇಯುವುದು ಪರಿಣಾಮವಾಗಿ ತಿರಸ್ಕರಿಸಲಾಗುತ್ತದೆ
.ಜನಸಾಮಾನ್ಯರ ದುರಂತಕೊಸ್ಕರ ಕುರುಬರು ಭೂಮಿಯನ್ನು ರಕ್ಷಣೆ ತೆಗೆದುಕೊಳ್ಳುವುದಿಲ್ಲ .
ಆಫ್ರಿಕನ್ ಕುರುಬರು ತಮ್ಮ ಪ್ರಾಣಿಗಳನ್ನು ಮಾರುವುದಿಲ್ಲ; ಅವರು ತಮ್ಮ ಬಳಿ ಪ್ರಾಣಿಗಳನ್ನುಇಟ್ಟುಕೊಂಡಿರಲು ಬಯಸುತ್ತಾರೆ, ಹಾಗು ಅವರು ಪ್ರಾಣಿಗಳ ಮೇಲೆ ಮೆಚ್ಚುಗೆ ವ್ಯಕ್ತಪಡಿಸುತ್ತಾರೆ.
ಕುರುಬರು ರಾಷ್ಟ್ರೀಯ ಆರ್ಥಿಕತೆಯ ಚಟುವಟಿಕೆಗಳಿಗೆ ಅಲ್ಪ ಕೊಡುಗೆ.
ಕುರುಬರ ಇಳುವರಿ ಅತ್ಯಂತ ಕಡಿಮೆ ಹೊಂದಿದೆ. ಕುಳಿತಿರುವ ಜಾನುವಾರುಗಳ ಸಂಚಾರಿ ವ್ಯವಸ್ಥೆಗಳನ್ನು ಏರಿಸುಲು ಹೆಚ್ಚು ಉತ್ಪಾದಕ ಆಗಿದೆ .
ಕುರುಬನ ಕೌಶಲಗಳು ಹಳೆಯ ಕಾಲದವು: ಆಧುನಿಕ ವೈಜ್ಞಾನಿಕ ವಿಧಾನಗಳನ್ನು ಪರಿಚಯಿಸಿವುದು ಅಗತ್ಯವಿದೆ.
ಕುರುಬರ ಸೇವೆಗಳಿಂದ ಪ್ರಯೋಜನಗಳಿಂದ ಅವರು ನೆಲೆಗೊಳ್ಳಲು ಅಗತ್ಯವಿದೆ.
ಕುರುಬರು ತುಂಭಾ ಹೇರಳವಾಗಿ ಸಿಗುತ್ತಾರೆ,ಹಾಗು ಪರ್ಯಯವಾಗಿ ಅವರಿಗೆ ರಕ್ಷಣೆ ಇರುವುದಿಲ್ಲ ಮತ್ತು ಆಹಾರದ ಕೊರತೆ ಕೊಡ ಅನುಭವಿಸುತ್ತಾರೆ
Re-narration by ಪ್ರದೀಪ in Kannada targeting Bangalore for this web page
FINAL AU FLYER
"CSOs ನೊಂದಿಗೆ ಆಳವಾದ ನಿಶ್ಚಿತಾರ್ಥದೊಂದಿಗೆ ಈ
ಸಂಸ್ಥೆಗಳು ಸರ್ಕಾರದ ನಿರ್ಣಯ ತರುವ ಬಗ್ಗೆ ಅಗತ್ಯ ಪರಿಶೀಲನೆಗಳು ಮತ್ತು
ಸಮತೋಲನಗಳನ್ನು ಒದಗಿಸುತ್ತದೆ ಎಂದು ಗ್ರಾಮದ ಅಭಿವೃದ್ಧಿಯ ನೀತಿ ಅಗತ್ಯವಾಗಿ
ನಡೆಯಲಿದೆ ..."
ಆಫ್ರಿಕಾದಲ್ಲಿನ ಕುರುಬರಿಗಾಗಿ ಎಯು ನೀತಿ ಚೌಕಟ್ಟಿನ ದೇಶಗಳ ಗ್ರಾಮದ ಸಮೂಹಗಳು
ಪೂರ್ಣ, ರಾಜಕೀಯ, ಸಾಮಾಜಿಕ, ಆರ್ಥಿಕ ಮತ್ತು ಪರಿಸರ ಹಕ್ಕುಗಳನ್ನು ಅನುಗ್ರಹಿಸು ಎಂದು
ಸಮಗ್ರ ರಾಷ್ಟ್ರೀಯ ನೀತಿಗಳನ್ನು ಸ್ಥಾಪಿಸಲು ಒಂದು ವಿಶೇಷ ಅವಕಾಶ ಒದಗಿಸುತ್ತದೆ.
ಇದರ ಪ್ರಮುಖ ಮೌಲ್ಯಗಳಿಗೆ ಸುಸ್ಥಿರವಾದ ನೈಸರ್ಗಿಕ ಸಂಪನ್ಮೂಲಗಳ ನಿರ್ವಹಣೆ, ಹಳ್ಳಿಯ
ಸಂಪನ್ಮೂಲಗಳಿಗೆ ಮಾತ್ರ ಸರಿಯಾದ ಮತ್ತು ಭದ್ರವಾದ ಪ್ರವೇಶ, ಮತ್ತು ಶಾಂತಿ ಮತ್ತು
ಭದ್ರತೆಯನ್ನು ನೀಡುತ್ತದೆ..
ಪ್ರಬಲ ಬದ್ಧತೆಯು ಹಳ್ಳಿಯ ಅಭಿವೃದ್ಧಿಗೆ ಅಡೆತಡೆಗಳನ್ನು ತೆಗೆದು, ಹಾಗೆಯೇ
ಪ್ರಾದೇಶಿಕ ಮತ್ತು ಭೂಖಂಡದ ಮಟ್ಟದಲ್ಲಿ ಸಹಕಾರ, ವೈಯಕ್ತಿಕ ದೇಶಗಳ ಅವಶ್ಯಕತೆಯಿದೆ.
ಗುರಿ ಕಾನೂನು ಸಂಸ್ಥೆಗಳು ಮತ್ತು ಅತಿಕ್ರಮಿಸುವ, ಅಬ್ಯಾಸವಾಗಿ ಹೋಗಿರುತ್ತದೆ
ವಿರುದ್ಧವಾದ ಮತ್ತು ಅಸ್ಪಷ್ಟವಾಗಿದೆ ಕಡ್ಡಾಯ ಹೊಂದಿರುವ ಕಾರ್ಯನಿರ್ವಹಣಾ ಕ್ರಮಗಳನ್ನು
ನಡೆಯಲಿದೆ, ಯತ್ನಗಳು ಮತ್ತು ಜವಾಬ್ದಾರಿಗಳನ್ನು ನಕಲಿಸುವುದು ಅಥವ ಸಂಪನ್ಮೂಲಗಳ
ತ್ಯಾಜ್ಯ.
ಕುರುಬರು ತಮ್ಮನ್ನು ಮತ್ತು ನಾಗರಿಕ ಸಮಾಜ ಸಂಘಟನೆಗಳು ತಮ್ಮ ಸರ್ಕಾರಗಳು ಸವಾಲು
ಎದುರಿಸುವ ಭರವಸೆ ಮತ್ತು ಅಗತ್ಯವಿದೆ ಪಾಲ್ಗೊಳ್ಳುವಿಕೆಯ ಪ್ರಕ್ರಿಯೆಗಳು ಕೈಗೊಳ್ಳಲು
ಸಾಧ್ಯವಿಲ್ಲ. CSOsಸಾಮಾನ್ಯವಾಗಿ ಲಿಂಗ ಸಮತೋಲನ ಖಚಿತಪಡಿಸಿಕೊಳ್ಳಲು ಚರ್ಚೆ
ಉತ್ಕೃಷ್ಟಗೊಳಿಸಲು ಮತ್ತು ಸ್ಥಳದಲ್ಲಿ ಇದೆ. ಕುರುಬರಿಗಾಗಿ ಜನಸಾಮಾನ್ಯವಾಗಿ ನೀತಿ
ಚೌಕಟ್ಟಿನ್ನು ಖಚಿತಪಡಿಸಿಕೊಳ್ಳಲು, ಹಳ್ಳಿಯ ಸಮುದಾಯಗಳು ಮತ್ತು ಸ್ಥಳೀಯ ಸಂಸ್ಥೆಗಳು
ಗುರುತಿಸಬಹುದಾಗಿದೆ.
ಆಫ್ರಿಕನ್ ಒಕ್ಕೂಟ ಕುರುಬರು ಜೀವನ ಮತ್ತು ಜೀವನೋಪಾಯಕ್ಕೆ, ಭದ್ರತೆ ಸಂರಕ್ಷಿಸಲು
ಮತ್ತು ಉತ್ತಮಗೊಳಿಸುವ ಬಗ್ಗೆ ಮಾರ್ಗದರ್ಶನದ ನಿರ್ಮಿಸಿದೆ. ಆಫ್ರಿಕಾದಲ್ಲಿನ
ಕುರುಬರಿಗಾಗಿ ನಿಯಮಗಳು ಚೌಕಟ್ಟಿನ ಕುರುಬರು ತಮ್ಮ ನೀತಿಗಳನ್ನು ಪರಿಶೀಲನೆಗೆ
ಆಫ್ರಿಕನ್ ಸರ್ಕಾರಗಳು ಮಾರ್ಗದರ್ಶಿಯಾಗಿ ಆಗಿದೆ.
Re-narration by Pradeep in Kannada targeting Bangalore for this web page
Friday, 6 April 2012
KarmaTube: Building a Woodland Home
Suggest
Simply Build a Home
(1001)
Re-narration by testd in English targeting Bangalore for this web page
What`s your reaction to this? | Blue Screen
Buna ne dersiniz?
Bu habere ne diyeceğimi şaşırdım açıkcası. Austin, Texas'ta ki bir konfersansta WiFi erişim için ilginç bir yöntem düşünmüşler.
Bildiğiniz gibi WiFi kapsam alanı genel olarak iyi değil. Bilim adamları da 4G teknolojisi üzerinde çalışmalar ve denemeler yapmakta. South By Southwest Interactive adlı konferansta 4G kapsam alanını genişletmek için farklı fikirler var. Bahsetmek istediğim 4G noktalarını evsizler üzerinde oluşturmaları. Evsizler MiFi donanımlı t-shirt giyerek internet erişimi sağlayacak. Yani evsizler erişim noktaları ya da baz istasyonları olacak.
Evsiz biri üzerinde "Benim adım ...., 4G hotspot" yazan bir tshirt givecek. İsteyenler ona nakit veya paypal ile ödeme yaptıktan sonra şifre alıp erisşim sağlayacak.
Bu şekilde adamın olduğu yerde erişim sağlanacak. Örneğin bir otobüte olabilir.
Bu proje beni şaşırttı. Artıları var ama yan etkileri düşündürücü. Mesela, evsiz insanın sağlığına nasıl bir etkisi olabilir? Bir yandan da evsiz insana gelir sağlıyor. Bu da tabii kendisini daha iyi hissetmesini sağlayabilir.
Gerçekten her yerden süper kalite bir internet erişimine ihtiyacımız var mı? Bu risklere değer mi? Evden ulaşmak yetmez mi?
Aşağıdaki video fikir verebilir.
Re-narration by Uskudarli in English targeting Bangalore for this web page
A touch of crass - Hindustan Times
A few years ago, the badshah of Bollywood Shah Rukh Khan raised his hand in glee after the master of ceremonies shouted “sold out” in an auction where players were bought for millions of dollars. The cost of that crass revolution, which the cricket establishment in India had ushered in, is still
being counted and four years later no one is sure who has benefited from this glitzy, risque show called the Indian Premier League (IPL).
I can visualise the scorn and anger of many at the use of words like crass and risque for a cricket tournament that has made a large number of unknown strugglers famous and wealthy overnight. This, according to them, is the future of sport, which combines India’s two main obsessions — films and cricket — to create a potpourri that has given a new lease of life to a sport whose staple diet — Tests — had bored spectators to death.
It has allowed the corporate tsars free access to a product whose market potential they are out to milk for the benefit of all. When cricket today has become a brand whose value is being talked of in billions, when the players are happy at this unexpected windfall, the spectators are queuing up and the money is jingling, why cry foul?
These questions,!!!!!!!!!!!!!!!!! for and against, the IPL have over the last four years become sharper and sharper and will become even shriller over the next two months, as the cricketing circus crisscrosses the country in search of greater numbers, sponsors and TRP ratings.
Any business model in the entertainment industry that relies on heavy investments to attract more capital, depends on the eyeballs it can generate. That is why the success of the fifth edition of this tournament has become crucial for its future survival. It has, in the course of the first four years, even tweaked those basic concepts of a condensed format, which was put in place because it was being felt that even the 50-over format had become too predictable for spectators to enjoy. Therefore, we had two strategy breaks in between one innings of a mere 20 overs, so that there would be time for the advertisers to promote their brands on TV. The cheerleaders, post-match parties and the heavy presence of film stars at the ground are among the many props used to increase the TRP ratings of the show.
Yet, despite every trick in the trade having been exploited — making the most powerful voices in the game, including the media, its stakeholders --— the tournament finds itself on shaky ground today. According to media reports, its revenue streams are dwindling because of dwindling sponsorship interest and poor TRP ratings last year.
All of a sudden the import of cricket fatigue and cynical exploitation of the game’s mass following in the country seems to have affected IPL’s popularity. The hysteria that this tournament generated in the first two years since its inception, giving nightmares to those who felt that it would destroy the basic edifice on which the sport has stood so far — Test cricket and bilateral contests seems to have evaporated this year.
If that is the case, then the reasons are not too hard to pinpoint. The tournament, which does not have an international window, has always been held at inopportune times for the players. The Indian players who have a killing international schedule don’t mind putting their tired, injured bodies on the line for two months — as they did after winning the World Cup last year — because the lure of mega bucks is too tempting. The result was that some key players were unfit, unavailable or mentally fatigued for their India ‘duty’ and we suffered a staggering drubbing at the hands of England in the Tests as well as the one-dayers. This followed another disaster in Australia and elimination in the Asia Cup last month in Dhaka.
India is no longer the number one Test team and even slipping in rankings in the 50-over format of which we are the world champions. The revolution that IPL was to usher in is now being seen as a massive distraction for India’s talented cricketers, who prefer club over country only because the money on offer is huge.
No wonder the IPL today is seen as a reality show in search of TRP ratings.
Pradeep Magazine is a Delhi-based sports writer
The views expressed by the author are personal
Re-narration by test in targeting for this web page
Japan 1: Tactile sidewalk strips for the blind at Commonsense Design
Amir is back from Japan, and sent in some interesting photos attesting to that country’s outstanding and different ways of solving life’s daily problems with some other interesting facts.
Re-narration by Shalini in English targeting Bangalore for this web page
Thursday, 5 April 2012
The International Institute for Art, Culture and Democracy (IIACD) HOME
ಅಂತರಾಷ್ಟ್ರೀಯ ಕಲೆ, ಸಂಸ್ಕ್ರುತಿ ಮತ್ತು ಪ್ರಜಾಪ್ರಭುತ್ವ ಸಂಸ್ಥೆ
Re-narration by Kala Kulkarni in Kannada targeting Bangalore for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
Antaraastriya Kale Samskruti mathu Prajaaprabhutva samsthe
Re-narration by Kala Kulkarni in Kannada targeting Bangalore for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bangalore targeting Bangalore for this web page
The International Institute for Art, Culture and Democracy (IIACD) HOME
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration o
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Chennai targeting Chennai for this web page
Wednesday, 4 April 2012
The International Institute for Art, Culture and Democracy (IIACD) HOME
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifeunication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bengal targeting Bengal for this web page
Re-narration
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several develo
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bengal targeting Bengal for this web page
Re-narration
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneratimunication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bengal targeting Bengal for this web page
Re-narration
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipien
Re-narration by aa in Hyderabad targeting Hyderabad for this web page
Re-narration
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bengal targeting Bengal for this web page
Re-narration
The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by aa in Bengal targeting Bengal for this web page
Thursday, 29 March 2012
Re-narration
The International Institute for Art, ulture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several developing economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by kk in Kannada targeting Mysore for this web page
Re-narration
Servelots's hosa project is on semantic web "Alipi" a web based project targeting print-impaired people around the world.
new line!!!!!
Description:alipi as a word means without-alphabet or text/print-impaired.
http://vijayanagara.in
Re-narration by Shalini in Bengali targeting Mysore for this web page
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Servelots current project is on semantic web "new Alipi" a web based new project targeting print-impaired people around the world.
New line
Description:alipi as a word means without-alphabet or text/print-impaired.
http://osm.org
Re-narration by Shalini in Kannada targeting Mysore for this web page
Wednesday, 28 March 2012
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Janastu's current project is on Mapping a web based project targeting print-impaired people around the world.
Description:alipi as a word means without-alphabet or text/print-impaired.
Re-narration by A in Kannada targeting Mysore for this web page
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Servelots's current project is on A11ypi a web based project targeting print-impaired people around the world.
Description:alipi as a word means without-alphabet or text/print-impaired.
Re-narration by A in Kannada targeting Mysore for this web page
Tuesday, 27 March 2012
Monday, 26 March 2012
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Successful RE-NARRATION
Re-narration by Shalini in Bengali targeting Delhi for this web page
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The International Institute for Art
Re-narration by Shalini in Kannada targeting Bengal for this web page
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Successful RE-NARRATION
Re-narration by Shalini in : Telgu targeting : Chennai for this web page
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(IIACD) was started in May 2008 by an inter-disciplinary group `
Re-narration by Shalini in : Gujurathi targeting : Delhi for this web page
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(IIACD) was started in May 2008 by an inter-disciplinary
Re-narration by Shalini in undefined targeting undefined for this web page
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(IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology
Re-narration by Shalini in undefined targeting undefined for this web page
Saturday, 24 March 2012
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The International Institute for Art
Re-narration by a in a targeting a for this web page
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The International Institute for art, culture and democracy
Re-narration by a in Axomiya targeting Andaman and Nicobar Islands for this web page
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The International Institute for Art, Culture and Democracy (IIACD) was started in May 2008 by an inter-disciplinary group with expertise in design anthropology, new media art, technology and art history. The group shares the common vision and agenda of programmatic advocacy for cultural democracy.
In several third world economies, the top-down policies of market-led regeneration of cultural capital need scrutiny. The rhetoric of social inclusion manifests as token co-option of the marginalized bearers of culture and what is required instead is an agenda that actively promotes democratic participation and communication.
In the context of India we see state, international funding agencies and NGO recipients focus on creative industries as a developmental strategy addressing livelihood concerns of communities. This focus has translated to a number of “designer” interventions as well as “corporatization” of NGO led entrepreneurial programs. The empowerment and entitlements of indigenous craftspeople and their communities, the bearers of the creative cultural assets, have been largely ignored.
Re-narration by a in Axomiya targeting Andaman and Nicobar Islands for this web page
Tuesday, 28 February 2012
Re-narration
Servelots's current project is on Alipi - a web based project targeting print-impaired people around the world.
Re-narration by Shalini in English targeting Karnataka for this web page
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